I can’t believe this. I mean, seriously, I just can’t fuckin believe this shit.
You know in A Princess Bride how Vizzini always says “Inconceivable!” and Inigo finally says “You keep using that word. I do not think it means what you think it means.” That’s how I feel. This shit here is inconceivable. But just like with Vizzini, who says that about shit that’s already happening, which means it’s, like, conceivable, this shit that I can’t believe is happening right now.
I’m on a beer run with a pirate.
I glance in the rearview – which catches me a look at the hole that huge dude Kelly put in the roof with his dagger – and then I stop at a Stop sign. And next to me, this guy Ian – who, no homo, but he’s like the best-looking guy I’ve ever seen, all sparkling blue eyes and curly red-gold hair and tan skin and white teeth (How does a pirate get white teeth? What, did they jack a floss shipment? For that matter, I thought British people all had fucked-up teeth. Whatever: homey’s got prom king genes, that’s all.) – Ian throws his hands up on the dash to stop himself from flying through the windshield, even though I didn’t actually stop hard at all. And he laughs through those shiny white teeth and he’s all “She stops like a horse refusing a fence. How do ye keep from flailin’ about?” in that Irish accent.
Oh, I have got to go clubbing with this guy. Just being seen with his castoffs would up my game, like, ten levels.
I shrug. “You just get used to it, I guess. I dunno. I had to stop for the sign.” Road’s clear, so I step on it. The Kia – which is hot, so I’m a little freaked out about driving it around, but it wasn’t too bad, I had my shit pretty together, until Kelly just whipped out his dagger and punched it through the roof like it was fucking nothing, and then I thought “What exactly did they do with the guy who owned this car, and all those keys and shit they had? And who owns that house? Fucking beach front with a private cove, that place was like two, three million dollars worth of Florida real estate, easy. So where’s the owner? Why did he let a bunch of raggedy-ass thugs dressed up like pirates crash in his crib?” And then I started thinking – maybe they’re not just crazy-looking. And maybe the people who own the house, and the cars and the keys, maybe they won’t be calling the po-po any time soon because they’re, like, buried in the backyard or cut up in pieces and sunk in the ocean, like on Dexter. Then I started getting a little freaked out like: I’m driving around in a dead dude’s car. With the dude who fuckin killed him. Cause that Kelly guy was big, and had no problem stabbing shit, and those four guys we chased down were all thugged up and all – but if any of these guys has ever capped anyone, it’s that Damnation guy. When he was pissed off about his boys treatin him like a bitch – man, just looking at him and you know that muthafucka’s cold-blooded, like ice cold. Him or that crazy fuck with no thumbs. So I’m glad they’re out of the car, and I’m just rollin with Pretty-Boy here.
Anyway – what was I saying? Oh, right: the Kia’s actually got some cojones, way more than you would expect from the car that drives those fuckin hamsters around (and I figure maybe the cholos who drive it suped that shit up a little) so it pushes us back in the seats when I hit the gas, and Ian laughs and says “Good Lord of Hosts, this wagon is truly a miracle. It doesna live, and it has na horses nor oxen to pull it. How does it go?”
So I start to tell him – not that I know everything about cars, not a fuckin gearhead or whatever – but you can’t tell this guy anything. I’m all “When I step on this pedal –” and he goes “What’s a pedal?” So I point to the gas and brake, right, and he comes, like, into my fuckin lap to stare down at them, bending over me like he’s about to start polishing my tool. and I’m all “Whoa, back the fuck up, you fag!” and he sits back and says “A lever,” but he says it all weird, like, “LEE-ver,” and I’m all “A what?” and he goes “A LEE-ver, a pedal’s a LEE-ver for your foot.” And then I realize what he’s saying and I nod and shit, and then I say “So when I step on it, it sends more gas to the engine –”
And he goes “What is gas?”
You can’t tell this guy anything. You shoulda heard how he took traffic lights, when we got stuck at a long red on Kennedy Drive. He fuckin thought there were like, monkeys or something inside it, with lanterns, changing the colored lights. You fuckin try explaining computers and automatic timers and shit – fuck, try explaining electricity. Once you get past “It’s lightning,” what the fuck do you say next?
Who the fuck are these guys, anyway?
So we get to Casa de Schluchzer, and we’re in luck – the parentals are both out. Good, because I do not want to explain who my “little friend” is to my mom, and fuck, what if the Depot called here looking for me? Or what if the cops came by? Maybe they think I got kidnapped, I dunno.
Whatever. I leave Ian with the TV, after I show him like three buttons on the remote – and which channel has porn on it – and I go get my shit. First thing is in Dad’s office, in the back of his top right desk drawer – it’s his “emergency” credit card. Well, Pops, this is a fuckin emergency if I ever saw one. Then I bust a quick shower, cause I’m all stankin from running with that bag on my head and sweatin like a mutherfucker when they kidnapped me and shit, and then I go to my room and pack some shit, just the essentials.
And I get my sword. It’s a Crusader broadsword, and it cost me like 400 bucks online, and that shit’s for real. I feel better knowing I’m armed. Then I stash away a nice little boot-knife I got at a Faire, because it feels even better to be armed when nobody else knows you’re armed, am I right? I wish we had a fuckin 9-millimeter, but Mom’s anti-gun and Dad’s a pussy. Whatever.
I think about leaving them a note, but then I think Fuck ’em. Let ’em wonder. I get Ian and we roll out for the liquor store.
I talk to Ian, and he says they got twenty guys back at their crib – well, no, first he says there’s a “score” of ’em, but I’m like “Score? What score? What the fuck’s a score? Like a game score?” and then he says there’s twenty. So I ask what they like to drink, and he says ale and whiskey and grog. And wine for the captain. And I’m all “Aight, what the fuck is grog?” So he says – check this shit – it’s rum mixed with water and fuckin gunpowder. And I’m all “No shit?” and he grins and he’s all like “Aye – it gives it a wee kick. Like a beestung mule.”
So okay, we go in and get like a case of whiskey and three cases of rum, and I get the guy to bring out three kegs of Coors and a tap, and I ask him to pick out, like, a dozen bottles of wine for the captain. And he asks how I’m paying, and I bust out the credit card and my ID – and for maybe the first time in my life, I’m glad I’m Elliott Schluchzer, Junior.
Ian loads all that shit in the car while I’m paying – after I run out to pop the trunk, instead of trying to explain to him how to do it – and then we roll out and head back.
We drive past Home Depot, and I think about stopping in to tell them I quit – maybe taking a table saw as my severance, like – but I see a cop car in the lot, and I’m thinking they might still be looking for the crazy fuckers who stole a couple hundred bucks’ worth of lumber and nothing else. And I’m thinking they might be thinking I was in on it, since I disappeared with them and people around here know I’m into the Ren Faires and pirate festivals and shit. So we drive on by. And I’m thinking I might never be coming back here, if the idea that’s bouncing around in my head turns out, and I think about my job, and my car, and my room, and my computers, and my parents, and my whole life – and I think leaving it all behind would suit me just fine. Fuck all of it.
We get back to the crib, and I stop the car at the top of the driveway, where there’s a wall all covered with ivy and shit and a bunch of tall trees, mostly palms, and I know there’s a rolling metal gate stuck back behind some bushes, and when I reach in and grab it and roll it out, Ian’s all shocked and shit that I even knew it was back there. But I’m all, “Homey, no house like this doesn’t have a gate on the drive.” It just got left open by somebody, probably because it’s not automatic – it’s an old gate, like from the fifties or something, before they had remotes, and whoever lives here probably didn’t want to fuck it up installing a chain drive and sensors and shit. But Ian’s all jizzed up and says the captain will be pleased, and I’m like “Eeeeex-cellent” like Mr. Burns in my head. My plans are coming together.
We drive up to the crib – and when I see it, really see it, with no bag over my head and my thoughts not all fucked up by what’s going on around me, I think Yeah, I could live like this. Even if – no, better if they stole it, even capped the guy who lived here and sunk him in the cove tied to a rock and shit. We drive up and Ian gets like the full hero’s welcome – and that’s before we break out the booze that’s got the Kia’s back end scraping the ground, the shit’s so heavy. Then me and Ian both get three cheers.
And Captain Kane comes out and smiles and slaps us on the back and everything – I hold up for a high-five, but he just looks at me like “What the fuck are you waving at?” and leaves me hanging. But for sure he’s happy to see me, and he says so. He thanks me for doing the liquor run, and for driving to catch up with his boys. So I turn to him, and I go like this, talking all slow and raspy and shit: “Some day – and that day may never come – I may call upon you to do a favor for me. Until that day, accept this as a gift.” And he looks at me all thoughtful and calculating, and then he nods and says, “Done,” and shakes my hand.
And he didn’t even know that was from The Godfather, Part I. That clinches it.
“So Damn,” I say, and throw my arm around his shoulders. “Tell me. What year do you think it is?”
Date: 27 June, 2011.
Conditions: All is lost.
We have traveled through time, he tells me. It’s the future, he tells me. He was smiling.
It cannot be true. I must find a reason why Shluxer would lie to me. Then I can kill him and it won’t be true.
Three hundred and thirty-three years. All is dust. Everything and everyone we know is dust, now. All – all is lost.
All is lost.